to Home page  

Micheal Eaton

ROUGE
to Index of Issue 5
to Next Article
to Previous Article
to Subscribe page
to Rouge Press page

Introduction
Giò Abate
Gilbert Adair
Alvaro Arroba
Helen Bandis
Cyril Béghin
Janet Bergstrom
Yvette Bíró
Bertrand Bonello
Fabien Boully
Nicole Brenez
Rex Butler
Peggy Chiao
Jean-Pierre Coursodon
Stéphane Delorme
Stephen Dwoskin
Michael Eaton
David Ehrenstein
Thomas Elsaesser
Chris Fujiwara
Ruy Gardnier
Roger Garcia
Charlotte Garson
John Gianvito
Augustin Gimel
Philippe Grandrieux
Eugène Green
Paul Hammond
Peter Harcourt
Shigehiko Hasumi
Kent Jones
Bill Krohn
Miguel Marias
Adrian Martin
Fermin Martínez
David Matarasso
Grant McDonald
Meaghan Morris
V F Perkins
Douglas Pye
Mark Rappaport
Jackie Raynal
Jonathan Rosenbaum
William D. Routt
Jayce Salloum
Clemente Sobourin
François Thomas
Jean-Baptiste Thoret
Peter Tscherkassky
Johanna Vaude
Apichatpong Weerasethakul
Manuel Yáñez
Andrei Zelitsky

 


Fantômas: Le mort qui tue (Louis Feuillade, 1913)

 

I saw the amazing Robert Frank retrospective at the Tate Modern today. There was a series he did in Paris 1948, when he was still something like a straightforward photographer. One picture was of the Rue de la Santé with the sublime prison walls at the corner of the endless Boulevard Arago. That was where the authorities used to erect the guillotine. I suppose Frank may not have known that when he took the snap, but he didn't have to as it was already psycho-geographically magnetic. I wonder whether Feuillade may even have shot the execution scene at the very same spot? Strangely, it was the only Parisian image not reproduced in the Robert Frank catalogue. And that really is Fantômastic. Maybe I imagined it?